When ‘Terrifier 2’ was announced, expectations were through the roof. Unlike its predecessor, which divided audiences and critics, the sequel arrived with an unexpected wave of positive buzz.

Few horror films in recent years have left such a lasting impression on the genre as ‘Terrifier’ (2016). Directed by Damien Leone, this low-budget slasher quickly gained cult status, eventually launching a full-fledged trilogy.

Despite its meticulous craftsmanship, Eggers’ ‘Nosferatu’ feels strangely lifeless. Rather than breathing new life into this classic tale, Eggers’ film becomes something else entirely: a pastiche of itself.

‘Blink Twice,’ the directorial debut of Zoë Kravitz, is a provocative psychological thriller that tackles gender politics through violent and intense storytelling.

‘Raging Grace‘, the debut feature film by Paris Zarcilla, is a thought-provoking horror film that transcends its genre to deliver a powerful social commentary on immigration, exploitation, and the complexities of the immigrant experience.

Lee Isaac Chung’s 'Twisters' is a fresh take on the 1996 disaster classic, bringing a mix of thrilling action and enjoyable fun to the screen.

This debut feature from promising filmmakers Indianna Bell and Josiah Allen, which premiered at the 2023 Tribeca Film Festival, is a captivating Australian thriller that manages to create a potent atmosphere of suspense and tension.

Written by Andrew Lobel and directed by Michael Mohan, this journey, though at times uneven, takes us behind the sacred walls of an Italian convent where Religion and science blend.

Based on a gripping script by Lucy Campbell, Matt Vesely's debut feature follows a disgraced podcast host as she delves into an unsolved mystery, offering a unique perspective on the intricacies of journalistic storytelling.

Coralie Fargeat’s ‘The Substance’, her eagerly awaited follow-up to ‘Revenge’, delivers a raw and unflinching critique of how society commodifies youth and beauty—especially for women.

The new French thriller ‘Infested’ featured at Venice in the Critics’ Week sidebar, marks Sébastien Vaniček's directorial debut, showcasing his evident skill in crafting and editing suspense and terror.