When ‘Terrifier 2’ was announced, expectations were through the roof. Unlike its predecessor, which divided audiences and critics, the sequel arrived with an unexpected wave of positive buzz.

Few horror films in recent years have left such a lasting impression on the genre as ‘Terrifier’ (2016). Directed by Damien Leone, this low-budget slasher quickly gained cult status, eventually launching a full-fledged trilogy.

Jesse Eisenberg’s second directorial effort is a darkly funny, deeply personal comedy drama that explores grief, family bonds, and cultural identity.

Despite its meticulous craftsmanship, Eggers’ ‘Nosferatu’ feels strangely lifeless. Rather than breathing new life into this classic tale, Eggers’ film becomes something else entirely: a pastiche of itself.

‘Gladiator II’ picks up sixteen years after the events of the original, focusing on Lucius (Paul Mescal), now a young man navigating his destiny in a Rome ruled by the corrupt twin emperors Geta (Joseph Quinn) and Caracalla (Fred Hechinger).

Directors Scott Beck and Bryan Woods, known for their work on ‘A Quiet Place’ and their mastery in crafting tension and suspense, delve into the complexities of religion, belief, and hope in this sharp horror film produced by A24.

James Watkins’ ‘Speak No Evil’ is a devastatingly effective psychological horror film that explores the fine line between civility and survival.

‘Blink Twice,’ the directorial debut of Zoë Kravitz, is a provocative psychological thriller that tackles gender politics through violent and intense storytelling.

Fede Álvarez’s ‘Alien: Romulus’ marks a bold new chapter in the iconic Alien saga, balancing nostalgia with innovation to reintroduce the franchise to a new generation.

Maura Delpero’s ‘Vermiglio’ is a contemplative and visually poetic film that immerses us in the rhythms of nature and the traditions of a remote Trentinian community

‘Raging Grace‘, the debut feature film by Paris Zarcilla, is a thought-provoking horror film that transcends its genre to deliver a powerful social commentary on immigration, exploitation, and the complexities of the immigrant experience.

Irish writer-director Damian McCarthy’s follow-up to his acclaimed 2020 debut ‘Caveat’ is an unnerving haunted-house psychological horror that leaves you questioning whether supernatural evil might be preferable to human malice. 

Lee Isaac Chung’s 'Twisters' is a fresh take on the 1996 disaster classic, bringing a mix of thrilling action and enjoyable fun to the screen.

This debut feature from promising filmmakers Indianna Bell and Josiah Allen, which premiered at the 2023 Tribeca Film Festival, is a captivating Australian thriller that manages to create a potent atmosphere of suspense and tension.

Written by Andrew Lobel and directed by Michael Mohan, this journey, though at times uneven, takes us behind the sacred walls of an Italian convent where Religion and science blend.

Based on a gripping script by Lucy Campbell, Matt Vesely's debut feature follows a disgraced podcast host as she delves into an unsolved mystery, offering a unique perspective on the intricacies of journalistic storytelling.

Expectations were sky-high for ‘Furiosa: A Mad Max Saga,’ given the franchise's storied legacy and George Miller's reputation for crafting compelling post-apocalyptic narratives.

Coralie Fargeat’s ‘The Substance’, her eagerly awaited follow-up to ‘Revenge’, delivers a raw and unflinching critique of how society commodifies youth and beauty—especially for women.

‘Kinds of Kindness’, directed by Yorgos Lanthimos, is a bewildering departure from the director's previous films, and not in a good way.

Directed by S.J. Clarkson, ‘Madame Web’ is a disappointing venture into the lesser-known corners of the Spider-Man universe, leaving much to be desired in both narrative coherence and character development.